NH fine artist Carol Lake enjoys an international reputation for her American Contemporary Impressionism in oils, sculpture, and glass.
NH fine artist Carol Lake enjoys an international reputation for her American Contemporary Impressionism in oils, sculpture, and glass.
Considered an American Contemporary Impressionist, Carol’s sculpture and paintings are collected internationally and can be found in Great Britain, Wales, Germany, and Italy as well as throughout the United States.
Specializing in luxury wedding paintings and capturing special moments during events, Carol has been part of the exciting new world of live event painting since 2017. She’s available for travel worldwide.
Sculpture Carol is well known for her live event paintings and expressive figurative sculpture and is considered to be a true "animalier" - an artist who specializes in painting and sculpting all species of animals. Her work is created in bronze, ceramic, cement, stone, glass, and steel. She is a juried member of the New England Sculptors Association. She is also a member of the Portrait Society of America, and the National Sculptors Association.
Glass Carol focuses on fused glass and works with an ancient, yet modernized process of firing pigment onto glass.
Artist’s Statement
I am captivated and endlessly inspired by both micro and macro views of dense New England forests, sweeping meadows, and hidden streams. As a farmer and naturalist, the animals around me contribute their essence to everything I create. I revel in edges, the juxtaposition of disparate textures, and the elegant, timeless quality of a simple line. Inspired by the tension of Degas’ compositions, and Saint-Gaudens’ mastery of form, space, and emotion, my ceramic forms are influenced by ancient primitive pottery and my agrarian roots.
The beautifully imperfect craft attracts me; work that shows the brilliance of inspiration and yet the humanity of the maker. Mark making fascinates me. Light and line speak to me, as does the spirit in things. As a self-taught ceramicist, I lean on intuition and feel more than training, and have come to embrace drawn, painted and textural marks as well as how a piece sits in space. I find the artistic process as significant as the finished work, and look forward to combining my ceramic work with my fused glass in 2022.